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X-WR-CALDESC:Events for The Cummer Museum
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DTSTART;VALUE=DATE:20220411
DTEND;VALUE=DATE:20250127
DTSTAMP:20240930T141346Z
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UID:10000064-1649635200-1737935999@www.cummermuseum.org
SUMMARY:Norman Studios Posters
DESCRIPTION:The Norman Film Manufacturing Company\, also known as the Norman Studios\, located in Jacksonville\, Florida\, produced films out of its Arlington headquarters from 1920 until 1928. Richard E. Norman\, a Caucasian\, gained national attention by producing films with African American casts for African American audiences. He produced at least 8 feature films with top African American stage actors starring as pilots\, cowboys\, and businessmen. The Cummer purchased a collection of 18 posters from these films in 2002.
URL:https://www.cummermuseum.org/event/norman-studios-posters/
CATEGORIES:Art & Gardens
ATTACH;FMTTYPE=image/jpeg:https://www.cummermuseum.org/wp-content/uploads/2023/12/Norman-Studios-posters-1.jpg
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20240521
DTEND;VALUE=DATE:20250121
DTSTAMP:20250122T144943Z
CREATED:20240318T164635Z
LAST-MODIFIED:20250122T144943Z
UID:10000247-1716249600-1737417599@www.cummermuseum.org
SUMMARY:Mick Namarari Tjapaltjarri: Mysteries that Remain
DESCRIPTION:One of Australia’s most acclaimed Indigenous artists\, Mick Namarari Tjapaltjarri was a founder of the Western Desert art movement. Mysteries that Remain is an important survey of Namarari’s work\, featuring paintings on canvas and board from 1971-1990. It reveals the depth and complexity of Namarari’s artistic experiments as he restlessly strove to present the ancestral narratives of his desert homelands in new and innovative ways. Drawn from the extensive holdings of Namarari’s work in the Kluge-Ruhe Collection at the University of Virginia\, Mysteries that Remain tracks Namarari’s progress from his iconographic and ritually explicit works of the 1970s to more abstracted landscapes of the 1990s. It shows Namarari to be an artist who grasped the creative challenge of painting for the art market while never losing sight of the ancestral underpinnings of his country. In turning our focus to Namarari’s art\, we might see this reserved figure more clearly. And despite their alluring colors and designs\, these paintings retain their mystery\, hinting at the spiritual world beyond the painted image. This exhibition sheds new light on this enigmatic and important artist as he moved from detailed figurative works through to grand abstractions. A quiet\, reserved man\, this exhibition places Namarari in his rightful place as contemporary master. \nThis exhibition is organized by the Kluge-Ruhe Aboriginal Art Collection of the University of Virginia. \nImage:\nMick Namarari Tjapaltjarri (Pintupi\, 1926 – 1998)\, Ceremony at Tjilka\, 1973\, synthetic polymer paint on composition\, 23 15/16 x 18 x 1/2 in.\, Gift of John W. Kluge\, 1997\, Kluge-Ruhe Aboriginal Art Collection of the University of Virginia\, 1996.0002.002.
URL:https://www.cummermuseum.org/event/mick-namarari-tjapaltjarri-mysteries-that-remain/
CATEGORIES:Art & Gardens
ATTACH;FMTTYPE=image/png:https://www.cummermuseum.org/wp-content/uploads/2024/03/Ceremony-at-Tjilka_1996.0002.002_NG.png
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20240709
DTEND;VALUE=DATE:20240930
DTSTAMP:20240712T143153Z
CREATED:20240228T003116Z
LAST-MODIFIED:20240712T143153Z
UID:10000229-1720483200-1727654399@www.cummermuseum.org
SUMMARY:Fabric of a Nation: American Quilt Stories from the Museum of Fine Arts\, Boston
DESCRIPTION:Quilts are a democratic art. They provide a window into the lives of the many people who have made and used textiles\, across geographic\, political\, social and economic contexts. Organized by the Museum of Fine Arts\, Boston (MFA)\, Fabric of a Nation: American Quilt Stories showcases 46 remarkable textiles by a variety of individuals—male and female\, known and unidentified artists\, urban and rural makers\, immigrants\, and Black\, Latinx\, Indigenous\, Asian and LGBTQ+ Americans. The exhibition explores how the quilt\, which is often seen today as a timeless\, quintessentially “American” art form\, has in fact continuously evolved\, shaped by a broadly underrecognized diversity of artistic hands and minds. Dating from the 17th century to the present day\, the masterpieces on view reveal a rich—and richly complicated—story of the nation’s shared history\, contributing to the evolving conversation about what defines the American experience. \nImage:\nBisa Butler (American\, b. 1973)\, To God and Truth\, 2019\, printed and resist‑dyed cottons\, cotton velvet\, rayon satin\, and knotted string\, pieced\, appliquéd\, and quilted\, John H. and Ernestine A. Payne Fund\, The Heritage Fund for a Diverse Collection\, and Arthur Mason Knapp Fund\, ©Bisa Butler. Photograph ©Museum of Fine Arts\, Boston. \nOrganized by
URL:https://www.cummermuseum.org/event/fabric-of-a-nation-american-quilt-stories-from-the-museum-of-fine-arts-boston/
CATEGORIES:Art & Gardens
ATTACH;FMTTYPE=image/jpeg:https://www.cummermuseum.org/wp-content/uploads/2024/02/Fabric-of-a-Nation-Quilt.jpg
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