Augusta Savage at work on The Harp, 1935-1945, New York World's Fair (1939-1940). Photographs and Prints Division, Schomburg Center for Research in Black Culture, The New York Public Library, Astor, Lenox and Tilden Foundations.
Friday, October 12, 2018 to Sunday, April 7, 2019
Organized by guest curator Jeffreen M. Hayes, Ph.D.
This exhibition features nearly 80 works of art, including sculptures, paintings, and works on paper, and is the first to reassess Harlem Renaissance artist Augusta Savage’s contributions to art and cultural history in light of 21st-century attention to the concept of the artist-activist. The fully illustrated companion catalogue presents the most up-to-date scholarly research, re-examines Savage’s place in the history of American sculpture and positions her as a leading figure who broke down the barriers she and her students encountered while seeking to participate fully in the art world.
A gifted sculptor, Savage (1892 - 1962) was born in Green Cove Springs and later became a significant teacher, leader, and catalyst for change. Overcoming poverty, racism, and sexual discrimination, Savage became one of this country’s most influential artists of the 20th century, playing an instrumental role in the development of some of the most celebrated African American artists, including: Charles Alston, William Artis, Romare Bearden, Robert Blackburn, Selma Burke, Ernest Crichlow, Gwendolyn Knight, Jacob Lawrence, Norman Lewis, and Morgan and Marvin Smith, whose works are also included in the exhibition. A prodigious and highly acclaimed artist in her own right, Augusta Savage created works that elevated images of black culture into mainstream America. A central figure in the Harlem Renaissance, she worked with other leaders, writers, musicians, and artists to showcase the contributions of African American culture. As a community organizer and teacher, Savage created a bridge between the first generation of Harlem Renaissance artists and subsequent generations of artists.
Through this exhibition, the Museum will highlight the artistic, social, and historic impact of Augusta Savage who, despite how she transformed the artistic landscape, is deserving of greater national appreciation. Today, Savage is best known for The Harp, her commissioned sculpture for the 1939 World’s Fair, and is recognized in Black community as an educator and an important community leader. However, Savage’s artistic skill was widely acclaimed nationally and internationally during her lifetime, and a further examination of her artistic legacy is long overdue. This exhibition will introduce Savage as a pioneering artist and community organizer who helped shape artistic movements that changed the way artists represent the Black figure, using art as a form of activism. This exhibition has received support from the National Endowment for the Arts and the Sotheby’s Prize.
There are many ways you can help support the exhibition.
By joining the Host Committee, you will be helping us to engage a broad spectrum of the community in presenting these works, while financially supporting the exhibition and related special programming. Host Committee membership begins at $1,250 and includes year-round benefits at the Museum at the Ponce de León Society level. Additional benefits are available for higher-level donors. Host Committee recognition will also include your name on printed materials, on the exhibition website page, and in the gallery.
By making a gift between $500 and $1,249 to the exhibition, you will be an Exhibition Supporter, with your name included on the exhibition website page.
You may also choose to underwrite a class visit as part of our school tour program for $500 per class, or gift an exhibition catalogue to a school or museum library. Perhaps you would like to host a house party for the exhibition or volunteer at the Museum during exhibition events. You might also choose to stay informed about the exhibition by joining our mailing list. For further information about the host committee or other ways to be involved, please contact the Advancement Office at 904.899.6027.
Augusta Savage Exhibition Planning and Community Advisory Committee: Carol Alexander; Dustin Harewood; Barbara Harrell; Marty Jones; Princess Simpson Rashid; James Richardson; Adonnica Toler
Augusta Savage Host Committee (to date): Mr. and Mrs. Thompson Baker, III; Sally F. Baldwin; Caroline O. Brinton; Susan and Hugh Greene; Mr. and Mrs. William Harrell; John & Jan Hirabayashi; Mr. Hank Holbrook and Mrs. Pam D. Paul; Peter and Kiki Karpen; John and Nancy Kennedy; The Law Office of James F. Waters, III, P.A.; Velma Monteiro-Tribble; Rick and Amy Morales; Kitty and Phil Phillips; James Richardson and Sandra Hull-Richardson; Sharón Simmons and Shirley Webb; Nina and Lex Waters; Dr. and Mrs. H. Warner Webb; Mr. and Mrs. Charles B. Zimmerman
Exhibition Season Presenters: Ameris Bank; City of Jacksonville; Cultural Council of Greater Jacksonville, Inc.; Robert D. and Isabelle T. Davis Endowment at The Community Foundation for Northeast Florida; The Director's Circle at the Cummer Museum; The Schultz Family Endowment
Sponsors: Charmaine T.W. Chiu and Ernest Y. Koe; Dr. Elizabeth Colledge; Cynthia G. Edelman Family Fund; The Hicks Foundation; Bob and Monica Jacoby; Dick and Marty Jones; Trisha Meili and Jim Schwarz; Michael Munz; NEA Art Works; Van and Sandra Royal; Mr. Ryan A. Schwartz; Allan Schwartzman; Carl S. Swisher Foundation, Inc.; Sotheby's Prize; State of Florida; Wells Fargo
Community Partners: Avant Arts; City of Green Cove Springs; GENERATION W; Jacksonville Public Library; Jax Chamber; Leadership Jacksonville; Museum of Science & History; OneJax; Ritz Theatre and Museum; Special Project Partners; TEDx Jacksonville; University of North Florida Center of Urban Education and Policy; University of North Florida Department of Art and Design; Women of Color Cultural Foundation; Women's Giving Alliance
In-Kind Sponsors: Agility Press, Inc.; DoubleTree Jacksonville Riverfront; The Schomburg Center for Research in Black Culture, New York Public Library; Wingard
Ponce de León Society: Fleet Landing
With Publication Support From: Henry Luce Foundation